Plan the day from the shots already in your board, work through them from a phone, and finish with takes, pickups, notes and continuity attached to the shots they belong to. On Set is included in every plan.
Days and setups in columns, the board's shots grouped by scene beside them. Drag a scene out whole or place shots one at a time; lunch, company moves and the light going are typed in as facts and sit in the running order where they happen.

Today's list in shooting order, with the three answers a set actually gives: in the can, partial, dropped. The progress bar reads from what you tapped, so the wrap writes itself and nothing gets typed twice.

The frame full width, the three status buttons thumb-sized, and takes logged as the crew counts them. Tap adds a take. Hold Add take for about half a second and it lands already circled, so the take the edit needs is marked on the day rather than reconstructed from memory a week later. What a circled take means, and who circles it →
It is a web page, so there is nothing for anyone to install and nothing to keep updated across a crew. No signal on the moor? Every status, take, note and pickup you tap is kept on the device and sent when the signal comes back. A continuity photograph that cannot get out turns red, and a tap on it tries again. Keep the page open, and open the day once before you leave the unit base: the board is not downloaded in advance.


Counted from what was tapped: what is in the can, what is partial, which pickups are owed and why, every circled take with its roll and card, and the continuity photographs attached to their shots.

The crew link is today's list, view only, and it expires a day after you make it. The editor's bible is the whole record: every day, every circled take, every note and photograph, one link that stays true as you shoot. Neither needs an account, and a link can be turned off the moment it should be.

Not an add-on, not a tier. The board goes to set because that is where boards go, and it is the last stage of the whole job.