Every other tool stops
before the shoot. This one gets in the van.

On Set turns the board you already made into the day you are about to shoot: plan it, run it one-handed from a phone, and wrap with a record the edit can trust. Included in every plan.

Plan

The week, laid out like a stripboard

Days and setups in columns, the board's shots grouped by scene beside them. Drag a scene out whole or place shots one at a time; lunch, company moves and the light going are typed in as facts and sit in the running order where they happen.

  • A setup is a place and a lighting state, named in your own words
  • The board's own order is never touched
  • An unplaced shot still shoots. Nothing nags
Plan: two shoot days as columns, setups named The driveway and Inside the house, shots grouped by scene waiting to be placed
The day

The call sheet that answers back

Today's list in shooting order, with the three answers a set actually gives: in the can, partial, dropped. The progress bar reads from what you tapped, so the wrap writes itself and nothing gets typed twice.

  • Filter to what is still to shoot, or just the pickups
  • Setups carry their lighting state, so the next move is legible
  • A shot added on the day is marked as footage the board never promised
The day: setups with status dots, a wrapped setup, one shooting now, and the day's progress bar
Shot

One hand on the phone, one on the camera

The frame full width, the three status buttons thumb-sized, and takes logged as the crew counts them. Tap adds a take; hold it half a second and the take lands already circled, which is the answer to the only question the edit ever asks.

  • Roll and card fields for the edit suite, one tap away, never required
  • A pickup is marked with its reason, so tomorrow starts with a list
  • Continuity photos attach to the shot they belong to

No signal on the moor? Everything you tap is kept on the device and sent when the signal comes back.

Shot on a phone: the frame edge to edge, status buttons and Add take under the thumb
Wrap on a phone: circled takes and continuity photographs, read back from the day's taps
Wrap

The day, read back before anyone drives home

Counted from what was tapped: what is in the can, what is partial, which pickups are owed and why, every circled take with its roll and card, and the continuity photographs attached to their shots. Tomorrow's first conversation, already written.

Wrap: pickups with reasons, circled takes with roll and card, continuity photographs
The hand-off

Two links, and everyone has what they need

The crew link is today's list, view only, and it ends tomorrow by design. The editor's bible is the whole record: every day, every circled take, every note and photograph, one link that stays true as you shoot. Neither needs an account, and a link can be turned off the moment it should be.

  • The crew page carries the plan and the progress, and not one word of commentary
  • The bible updates as you shoot, so it is sent once
  • Whole shoot or one board: the scope is chosen when the link is made
The editor's bible: the shoot's record as one view-only page

Standard on every plan.

Not an add-on, not a tier. The board goes to set because that is where boards go.
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